​I just watched Solace, and, along with a general impression, moments and images still flash through my mind. Ironically, it reminded me stylistically of the TV series Hannibal. It used unexpected imagery in artistic ways, embedding impressions flawlessly in the viewing experience. The irony of course is that Anthony Hopkins starred in Solace, long after he made Hannibal Lecter a horrorhousehold name. It’s probably entirely coincidental that the Hannibal Lecter TV series he had nothing to do with had so much in common visually with the movie Solace. It’s very odd, though.

His John Clancy is my favorite of his characters in quite some time. Rich and deep, Clancy gives his portrayer a lot to work with, which he does to perfection. A touch telepath who wears tragedy like an uncomfortable overcoat, he reluctantly helps an old friend find and stop a killer. Along the way, he finds a new friend, a strength he thought he’d lost, and possibly a measure of peace.

For all its artistic beauty, the movie shows crime scenes in real and surreal detail. Some of Clancy’s vision are bloody and violent. All of it leads to a showdown played out on mental as well as physical planes. Emotional trauma is at the forefront of many moments, particularly a satisfying ending I thought I glimpsed early on, from mere hints of foreshadowing. Or perhaps bits of writer’s instinct. 

Jeffrey Dean Morgan played his old friend Joe, a dedicated cop with a secret he knows Clancy knows. The eventual reveal and quiet acknowledgments revealed as part of the story’s unfolding the burdens such a man as John Clancy must bear. Morgan’s excellent performance was a reminder of what a wonderful actor he is, for those who can’t help being caught up in the dark days of the Negpocalypse that is his role on The Walking Dead.

I’d seen trailers for Solace for some time. They didn’t do justice to this tight, taut, and mesmerizingly vivid film.

Solace Trailer

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